Jumat, 30 Agustus 2013

[A820.Ebook] Ebook Download Computer Security, by Dieter Gollmann

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Computer Security, by Dieter Gollmann

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Computer Security, by Dieter Gollmann

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Computer Security, by Dieter Gollmann

A completely up-to-date resource on computer security

Assuming no previous experience in the field of computer security, this must-have book walks you through the many essential aspects of this vast topic, from the newest advances in software and technology to the most recent information on Web applications security. This new edition includes sections on Windows NT, CORBA, and Java and discusses cross-site scripting and JavaScript hacking as well as SQL injection. Serving as a helpful introduction, this self-study guide is a wonderful starting point for examining the variety of competing security systems and what makes them different from one another.

  • Unravels the complex topic of computer security and breaks it down in such a way as to serve as an ideal introduction for beginners in the field of computer security
  • Examines the foundations of computer security and its basic principles
  • Addresses username and password, password protection, single sign-on, and more
  • Discusses operating system integrity, hardware security features, and memory
  • Covers Unix security, Windows security, database security, network security, web security, and software security

Packed with in-depth coverage, this resource spares no details when it comes to the critical topic of computer security.

  • Sales Rank: #185468 in Books
  • Published on: 2011-02-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x .90" w x 7.20" l, 1.98 pounds
  • Binding: Paperback
  • 456 pages

Most helpful customer reviews

10 of 11 people found the following review helpful.
Not suitable as a textbook
By Jean Val Jean
The book definitely the reflects the author's deep intuition about the field of computer security. It's full of insight and useful generalizations.

However, such an abstract discussion is not appropriate for undergraduate level textbook. Especially, if this is the first time the student is exposed to security thinking.

For someone working in the field, the approach means a lot. It provides the often missed theoretical and general outlook.

6 of 7 people found the following review helpful.
A good overview, but extremely complex
By Elanor Riley
This book provides a good overview of the history and implications of computer security. It begins by making everything easy to understand, but quickly falls into a mathematical jumble that had me, and others in my class, confused during the later chapters. My biggest gripe with the book is that it provides very complex mathematical "proofs" of security with no external explanation to those of us who do not understand these complex math concepts.
For example, it will state something like "As you can see by the security would allow x to access y." No, I don't even know what you just showed me, and there's no explanation given for the symbols or what they might mean. You can't google for a symbol if you don't know what it is called either.
Overall, a useful primer, but very confusing in the later chapters. More explanation in English and less formulas would have been appreciated.

2 of 3 people found the following review helpful.
Written in a hurry - one of the worst books on security
By PA
Agreed, Dieter Gollmann is very reputed and knowledgeable. But this book is written in a hurry. Probably, he started writing the book three weeks before the deadline. There is no flow of material. Random "summary" sections. There are two ways to describe anything in security. Someone can be very technical or very descriptive. For example, if some one wants to explain a cryptology technique, they can be totally mathematical or they can be totally discriptive or if you have time and space (and scope of the book) do both. In this book he does a half baked job of both. Even very interesting and engaging topics like public key cryptography are explained horribly. The initial price of this book in three digit amount is just total waste of money. Even at the current two digit price it is a waste of money. The book coverage is so random and without a flow, the learner is better off perusing wikipedia.

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Senin, 26 Agustus 2013

[A695.Ebook] PDF Ebook Assassin's Creed - Desmond, by Eric Corbeyran

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Assassin's Creed - Desmond, by Eric Corbeyran

This first volume of the French comic trilogy from Ubisoft, tells the story of Desmond Miles' abduction by Abstergo and their plans to rip the blood-steeped memories of Desmond's ancestors from his genetic code. Add to the mix the mysterious and violently terrified Subject 16 and a desperate flight from Abstergo, and this makes for a fast-paced and thrilling addition to the game's universe.

  • Sales Rank: #881313 in Books
  • Brand: Titan Books
  • Published on: 2012-10-30
  • Released on: 2012-10-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.15" h x .37" w x 7.34" l, .76 pounds
  • Binding: Hardcover
  • 48 pages

About the Author
For more than twenty years Eric Corbeyran has written successful bande dessin�e scripts. Boundless curiosity and fascination for varied art-forms have led him to explore a multitude of stories with a deft and dramatic touch.

Having developed many successful projects with Eric Corbeyran, Djillali Defali now turns his dramatic and realistic style to the detailed authenticity of the world of Assassin's Creed.

Most helpful customer reviews

0 of 0 people found the following review helpful.
"Nothing is true. Everything is permitted."
By BlueStar
Assassin’s Creed Volume 1: Desmond is the first of six books to be published for this story. This first book, made by Titan Books, covers the first issue of the story following Desmond’s initial capture and work with his ancestor Altair as well as Aquilus of the Roman Empire. This book makes an effort to try to explain why Abstergo has Demond and what they’re doing with him but having played the game gives you a much better insight. Eric Corbeyran made a valiant attempt at staying true to the story but some of it has been changed slightly. Not enough to completely throw off the story but it’s not identical to the games. Otherwise, we get a peek at Subject 16 and Aquilus but I’m guessing we’ll see more of them in the following books.

This edition is an oversized hardcover with no dustjacket. It has been translated from the original French language it was published in and the translation is perfect. You can’t even tell it was originally another language like is common with some mangas. The book is quite short at only 48 pages given the $10 price tag but it’s worth picking up if you can find it cheaper. This is the first part of the first chapter (3 issues) and there is a second chapter that is another 3 issues as well. Definitely something to get if you’re a fan of the game.

5 of 6 people found the following review helpful.
Not Bad On It's Own
By R. Hoch
I like the art and the story is decent, but I don't like the differences from the games. Ubisoft has done a good job in ensuring very close continuity between it's various mediums. This is the first time I've seen major issues with it where some stuff just flat out contradicts what happened in the games.

The flashback story is good though and poses no problems with continuity. So read it for that and take the future events with Desmond and everyone with a grain of salt. It's not a must read by any stretch, but worth it for big fans. The presentation (hardcover, nice glossy pages) is also done very well.

(I gave the same review for all 3 volumes as the same applies to all of them)

0 of 0 people found the following review helpful.
Nice Art
By Yarrow10
I have bought and read all three in this series, and I have played all the video games.
I really enjoyed the artwork and the introduction of new characters. But even with all of that I still find the stories a bit hard to follow.

Overall these books are a fun piece of AC lore for any fan of the games!

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Selasa, 20 Agustus 2013

[D432.Ebook] Ebook The Fish That Ate the Whale: The Life and Times of America's Banana King, by Rich Cohen

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The Fish That Ate the Whale: The Life and Times of America's Banana King, by Rich Cohen

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The Fish That Ate the Whale: The Life and Times of America's Banana King, by Rich Cohen

Named a Best Book of the Year by the San Francisco Chronicle and The Times-Picayune

The fascinating untold tale of Samuel Zemurray, the self-made banana mogul who went from penniless roadside banana peddler to kingmaker and capitalist revolutionary

The fascinating, untold tale of Samuel Zemurray, the self-made banana mogul who went from penniless roadside banana peddler to kingmaker and capitalist revolutionary
When Samuel Zemurray arrived in America in 1891, he was tall, gangly, and penniless. When he died in the grandest house in New Orleans sixty-nine years later, he was among the richest, most powerful men in the world. Working his way up from a roadside fruit peddler to conquering the United Fruit Company, Zemurray became a symbol of the best and worst of the United States: proof that America is the land of opportunity, but also a classic example of the corporate pirate who treats foreign nations as the backdrop for his adventures.

Zemurray lived one of the great untold stories of the last hundred years. Starting with nothing but a cart of freckled bananas, he built a sprawling empire of banana cowboys, mercenary soldiers, Honduran peasants, CIA agents, and American statesmen. From hustling on the docks of New Orleans to overthrowing Central American governments and precipitating the bloody thirty-six-year Guatemalan civil war, the Banana Man lived a monumental and sometimes dastardly life. Rich Cohen's brilliant historical profile The Fish That Ate the Whale unveils Zemurray as a hidden power broker, driven by an indomitable will to succeed.

  • Sales Rank: #22689 in Books
  • Brand: Brand: Picador
  • Published on: 2013-06-04
  • Released on: 2013-06-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 207.26" h x .78" w x 6.24" l, .54 pounds
  • Binding: Paperback
  • 288 pages
Features
  • Used Book in Good Condition

Review

“Rich Cohen books constitute a genre unto themselves: pungent, breezy, vividly written psychodramas.” ―The New York Times Book Review

“Lively and entertaining.” ―The Boston Globe

“This biography of the complex and often contradictory figure of Zemurray is Cohen's most engaging and entertaining book to date.” ―Chicago Tribune Printers Row Journal

“This is a rollicking but brilliantly researched book about one of the most fascinating characters of the twentieth century. I grew up in New Orleans enthralled by tales of Sam Zemurray, the banana peddler who built United Fruit. This book recounts, with delightful verve, his military and diplomatic maneuvers in Central America and his colorful life and business practices.” ―Walter Isaacson, president and CEO of the Aspen Institute and author of Steve Jobs

“Sam ‘the Banana Man' Zemurray was a larger-than-life character. Rich Cohen is a superb storyteller. Put them together and you have a startling and often hilarious account of one of the forgotten heroes (and villains) of the American empire.” ―Zev Chafets

“In Rich Cohen's masterful and enthralling narrative, one man's character is not simply his fate but also that of a nation. With verve, wit, and page-turning excitement, The Fish That Ate the Whale unfolds as compelling story of bold success coupled with reckless ambition. I loved this book.” ―Howard Blum, author of The Floor of Heaven and American Lightning

“If this book were simply the tale of a charismatic and eccentric banana mogul, that would have been enough for me--especially with the masterful Rich Cohen as narrator. But it's not. It is also the story of capitalism, psychology, immigration, public relations, colonialism, food, O. Henry's shady past, and the meaning of excellence.” ―A. J. Jacobs, author of The Year of Living Biblically

“What a story, and what a storyteller! You'll never see a banana--and, for that matter, America--the same way again.” ―Aleksandar Hemon, author of The Lazarus Project

“There's a lot to learn about the seedier side of the ‘smile of nature' in this witty tale of the fruit peddler-turned-mogul.” ―Chloë Schama, Smithsonian

“Cohen ... gives us the fascinating tale of ‘Sam the Banana Man,' a poor Russian Jew who emigrated to Alabama as a teenager and ended up controlling much of Central America . . . Rich Cohen books constitute a genre unto themselves: pungent, breezy, vividly written psychodramas about rough-edged, tough-minded Jewish machers who vanquish their rivals, and sometimes change the world in the process. Within this specialized context, Cohen's Zemurray biography admirably fills the bill.” ―Mark Lewis, The New York Times Book Review

“Cohen's narrative has considerable charm, whether pondering Zemurray's Jewish identity or claiming him as a man ‘best understood as a last player in the drama of Manifest Destiny.'” ―The New Yorker

“Americans puzzling over the role of today's powerful corporations -- Bain Capital, Goldman Sachs, Google -- may profit from considering the example of the United Fruit Company . . . A new account of United Fruit and one of its leading figures, Samuel Zemurray . . . The Fish That Ate The Whale . . . usefully reminds us of some of the wonderful things about capitalism, and some of the dangers, too . . . The book recounts all the Washington insiders hired by Zemurray as lobbyists, including Tommy "the Cork" Corcoran. A business that lives by Washington is finally at its mercy, as United Fruit learned when the antitrust cops came after it. It's all something to remember the next time you peel a banana.” ―Ira Stoll, Time

“Masterful and elegantly written…A cautionary tale for the ages.” ―The Christian Science Monitor

“[An] engrossing tale of the life of Sam Zemurray . . . With his nimble narrative journalism, Cohen makes a convincing case that the somewhat obscure Sam Zemurray was in fact a major figure in American history. Cohen does so with a prose briskly accented with sights, sounds and smells, and invigorated with offhand wisdom about the human journey through life. What's rarer about Cohen's style is his skill with metaphor. His are apt and concise, but they're also complex . . . There are men of action and there are men of words: The contrast between them is a sort of shadow narrative in The Fish That Ate the Whale . . . At the end of Cohen's story, impetuous doers such as Zemurray not only cede the moral high ground, but also live to witness the terrifying power of the talkers . . . If some level of this book proposes a contest of Cohen vs. Zemurray, then the win goes rather unambiguously to Cohen; to paraphrase Edward Bulwer-Lytton, the pen is mightier than the banana.” ―Austin Ratner, The Forward

“[A] grippingly readable biography . . . Cohen fleshes out the legend [of Samuel Zemurray] in a 270-page account full of novelistic scene setting and speculative flights--the kind of writing that . . . puts Cohen firmly in the tradition of non-fiction reportage pioneered by Tom Wolfe and Norman Mailer. Based on scores of interviews, four years of archival research and on-the-spot reporting from Central America and New Orleans, the book carries its details easily, sweeping readers on a narrative flood tide that matches the protean energy of Zemurray himself . . . As sketched by Cohen, the big man emerges as a complicated, all-too-human hero, one whose bullish nature sometimes blinded him, but never let him accept defeat.” ―Chris Waddington, New Orleans Times-Picayune

“Portions of Zemurray's story, after all, are as good an example of the American promise as one could imagine . . . On the other hand, as Cohen acknowledges, Zemurray, especially with regard to his Latin American interests, was ‘a pirate, a conquistador who took without asking.' This duality--and Cohen's immensely readable portrait of it--makes for a captivating character.” ―James McAuley, The Washington Post

“If you are a fan of pulp fiction, of seamy thrillers, of dank and tawdry noirs, of ashcan gutter naturalism, of absurdist caper novels, of whatever-it-takes-to-succeed, rags-to-riches sagas, then put away your books by David Goodis, Jim Thompson, Ross Thomas, George Gissing, Chester Himes, James M. Cain, Sinclair Lewis, Theodore Dreiser, and James Hadley Chase, and instead pick up Rich Cohen's vigorous and gripping The Fish That Ate the Whale: The Life and Times of America's Banana King. This history-embedded, anecdote-rich biography of Sam Zemurray, the bigger-than-life figure behind United Fruit Company at its height of power, is a balls-to-the-wall, panoramic, rocket ride through an acid bath, featuring unbelievable-but-true tales of power-grabbing, ambition, folly, passion, commerce, politics, artistry, and savagery: daydream and nightmare together . . . Cohen gives us this awesome story with a novelist's canny eye for details and pacing--he injects learned disquisitions that are easy to digest whenever necessary--and a fair share of reflection and commentary and psychologizing without undue editorializing or finger-pointing.” ―Paul Di Filippo, Barnes and Noble Review

“Cohen's biography of ‘Banana King' magnate Samuel Zemurray in The Fish That Ate the Whale is really a history of the yellow fruit itself . . . Zemurray exemplified both the best and worst of American capitalism. His saga provides plenty of food for thought next time you grab one off the bunch.” ―Keith Staskiewicz, Entertainment Weekly

“In The Fish That Ate the Whale Rich Cohen sketches a lively and entertaining portrait of Samuel Zemurray, a banana importer and entrepreneur who rose from immigrant roots to take the helm of the storied United Fruit Co., among other accomplishments . . . Cohen unfurls a rich, colorful history of a man who championed the establishment of the State of Israel by providing arms and ships to the Irgun, the nascent underground army. He gave muscle and capital to Eisenhower's decision to stage Operation PBSuccess, a CIA coup against Jacobo Arbenz's teetering democracy in Guatemala in 1954 . . . Was he a conquistador, pirate, explorer, tycoon, or a man of the people? Cohen's textured history shows that Zemurray played all of these roles, making him the ultimate Zelig-like character of the 20th century.” ―Judy Bolton-Fasman, The Boston Globe

“Absorbing, nimble and unapologetically affectionate . . . Mr. Cohen is a wonderfully visceral storyteller . . . it's a magnificent, crazy story, engagingly told.” ―Aaron Gell, New York Observer

“Eminently readable . . . The banana is lovely in its simplicity, but it turns out the man who ruled the banana kingdom for generations was quite the opposite--part conquistador, part pioneering businessman. Zemurray walked the line, and his interlaced legacies make for a fascinating and entertaining tale.” ―Kevin G. Keane, San Francisco Chronicle

“Lyrical ... This remarkable book . . . is a beautifully written homage to a man whose pioneering life mirrors so much of America's beauty and beastliness. The life of Sam the Banana Man, in Cohen's eloquent hands, is as nourishing and odd as the bendy yellow berry that made him great.” ―Melissa Katsoulis, The Times (London)

“Documentary veracity counts for less than the dashing energy of Cohen's characterisation, and the moody atmosphere of the landscapes in which he sets this buccaneering life--New Orleans with its malarial damp, the jungle in Panama where an incomplete, unbuildable highway is ‘defeated by nature and walks away muttering'. Best of all is his horrified contemplation of the monstrous banana in its native habitat, with its leaves shaped like elephant ears and ‘coiled like a roll of dollar bills'. After a tropical downpour you can hear the plants stealthily growing at the rate of an inch an hour as the foliage drips: it is the sound of money being made.” ―Peter Conrad, The Guardian

“Here's what I'm sure about: You've never thought about reading a book about the banana business and/or Sam Zemurray, the guy perhaps most responsible building it. Here's what I'm also sure about: You absolutely should read The Fish That Ate the Whale: The Life and Times of America's Banana King, by Rich Cohen.” ―Mark Bazer, WBEZ

“Cohen's piercing portrait is not glossy; it is a gritty, behind-the-scenes look at how Zemurray was able to do what he did. Some of the most moving passages in this fine book are Cohen's own meditations about Zemurray; it feels as if he is always trying to understand what drove him . . . Cohen is a beautifully talented and vibrant writer who seems to effortlessly brings his pages to life. His narrative includes wonderful riffs on the history of bananas and how and where they are grown, the development of the banana trade in Latin America under its various corrupt governments, as well as the state of American politics and business during the early 1900s. Cohen is not an ideologue, and this serves him well as a writer and thinker. He is unafraid to share his gut response with the reader, as well as his uncertainties . . . Cohen's terrifically intuitive biographical portrait of Sam Zemurray allows us to take a very close look.” ―Elaine Margolin, The Jerusalem Post

“This is a great yarn, the events and personalities leaping off the page.” ―Alan Moores, The Seattle Times

About the Author
Rich Cohen is a New York Times bestselling author as well as a contributing editor at Vanity Fair and Rolling Stone. He has written seven books, including Tough Jews, Israel Is Real, and the widely acclaimed memoir Sweet and Low. His work has appeared in The New Yorker, The Atlantic Monthly, Harper's Magazine, and Best American Essays. He lives in Connecticut with his wife, three sons, and dog.

Excerpt. © Reprinted by permission. All rights reserved.
1
Selma
 
 
Sam Zemurray saw his first banana in 1893. In the lore, this is presented as a moment of clarity, wherein the future was revealed. In some versions, the original banana is presented as a platonic ideal, an archetype circling the young man’s head. It is seen from a great distance, then very close, each freckle magnified. As it was his first banana, I imagine it situated on a velvet pillow, in a display alongside Adam’s rib and Robert Johnson’s guitar. There is much variation in the telling of this story, meaning each expert has written his or her own history; meaning the story has gone from reportage to mythology; meaning Sam the Banana Man is Paul Bunyan and the first banana is Babe the Blue Ox. In some versions, Sam sees the banana in the gutter in Selma, Alabama, where it’s fallen from a pushcart; in some, he sees it in the window of a grocery and is smitten. He rushes inside, grabs the owner by the lapel, and makes him tell everything he knows. In some, he sees it amid a pile of bananas on the deck of a ship plying the Alabama River on a lazy summer afternoon.
The most likely version has Sam seeing that first banana in the wares of a peddler in the alley behind his uncle’s store in Selma. The American banana trade had begun twenty years before, but it was still embryonic. Few people had ever seen a banana. If they were spoken of at all, it was as an oddity, the way a person might speak of an African cucumber today. In this version, Sam peppers the salesman with questions: What is it? Where did you get it? How much does it cost? How fast do they sell? What do you do with the peel? What kind of money can you make? But none of the stories mentions a crucial detail: did Zemurray taste that first banana? I like to imagine him peeling it, eating the fruit in three bites, then tossing the skin into the street the way people did back then. Tossing it and saying, “Wonderful.” In future years, Zemurray always spoke of his product the way people speak of things they truly love, as something fantastical, in part because it’s not entirely necessary. When he mentioned the nutritional value of bananas in interviews, he added, “And of course it’s delicious.” Putting us at a further remove from Zemurray is the fact that the kind of banana he saw in Selma in 1893, the banana that made his fortune, the variety known as the Big Mike, went extinct in the 1960s.
Sam Zemurray was born in 1877, in the region of western Russia once known as Bessarabia. It’s Moldavia today. He grew up on a wheat farm, in a flat country ringed by hills. His father died young, leaving the family bereft, without prospects. Sam traveled to America with his aunt in 1892. He was to establish himself and send for the others—mother, siblings. He landed in New York, then continued to Selma, Alabama, where his uncle owned a store.
He was fourteen or fifteen, but you would guess him much older. The immigrants of that era could not afford to be children. They had to struggle every minute of every day. By sixteen, he was as hardened as the men in Walker Evans’s photos, a tough operator, a dead-end kid, coolly figuring angles: Where’s the play? What’s in it for me? His humor was black, his explanations few. He was driven by the same raw energy that has always attracted the most ambitious to America, then pushed them to the head of the crowd. Grasper, climber—nasty ways of describing this kid, who wants what you take for granted. From his first months in America, he was scheming, looking for a way to get ahead. You did not need to be a Rockefeller to know the basics of the dream: Start at the bottom, fight your way to the top.
Over time, Sam would develop a philosophy best expressed in a handful of phrases: You’re there, we’re here; Go see for yourself; Don’t trust the report.
Though immensely complicated, he was, in a fundamental way, simple, earthy. He believed in staying close to the action—in the fields with the workers, in the dives with the banana cowboys. You drink with a man, you learn what he knows. (“There is no problem you can’t solve if you understand your business from A to Z,” he said later.) In a famous exchange, when challenged by a rival who claimed he could not understand Zemurray’s accent, Zemurray said, “You’re fired. Can you understand that?”
Selma, Alabama, was the perfect spot for a kid like Sam: an incubator, a starter town, picturesque yet faded, grand but still small enough to memorize. A manufacturing center in the time of the Confederacy, it had since been allowed to dilapidate. There was a main street, a fruit market, a butcher shop, a candy store, a theater with plush seats, a city hall, churches. There were brick houses with curtains in the windows and swings on the porches—the white side of town. There were shotgun shacks, blue and yellow and red, fronted by weedy yards—the Negro side of town. There were taverns and houses of worship where Christian gospel was mixed with African voodoo. There were banks, savings and loans, fraternal orders. There was a commercial district, where every store was filled with unduly optimistic businessmen.
Though the biography of Zemurray’s uncle has been forgotten, we can take him as a stand-in for the generation of poor grandfathers who came first, who worked and worked and got nothing but a place of honor in the family photo in return. Sometimes described as a grocery, sometimes as a general store, his shop was precisely the sort that Jewish immigrants had been establishing across the South for fifty years. Such concerns were usually operated by men who came to America because they were the youngest of many brothers, without property or plans. These people went south because, in the early days of the American republic, it was not inhospitable to Hebrews. Many began as peddlers, crossing the country with a mountain of merchandise strapped to their backs. You see them in ancient silver prints and daguerreotypes, weathered men humping half the world on their shoulders, pushing the other half in a cart—bags of grain, dinnerware, tinware, lamps, clothes, canvas for tents, chocolate, anything an isolated farmer might want but could not find in the sticks.
When they had saved some money, many of these men opened stores, which meant moving all that merchandise under a roof in a town along their route. Even now, as you drive across the South, you will see their remnants baked into the soil like fossils: an ancient veranda, a ghost sign blistered from years of rain—LAZARUS & SONS, HOME OF THE 2 PENNY BELT. These men were careful to open no more than one store per town, partly because who needs the competition, partly because they worried about attracting the wrong kind of attention. They stocked everything. What they did not stock, they could order. The most successful grew into great department stores: S. A. Shore in Winchester, Alabama, founded by Russian-born Solomon Shore, father of Dinah; E. Lewis & Son Dry Goods in Hendersonville, North Carolina, founded by Polish-born Edward Lewis; Capitol Department Store in Fayetteville, North Carolina, founded by the Russian Stein brothers. Others, having started by extending credit to customers, evolved into America’s first investment banks. Lehman Brothers, founded by Henry Lehman, a Jewish immigrant from Bavaria, began as a dry goods store in Montgomery, Alabama, in 1844. Lazard Frères, founded by three Jewish brothers from France, began as a wholesale business in New Orleans in 1848. The store owned by Zemurray’s uncle was probably of this variety: having begun as a young man carrying merchandise, it grew into a neat grocery on Broad Street.
Selma closed early. By ten p.m., the bustling of the marketplace had given way to the swamp stink and cicadas, but there was always action for those who knew where to look: in the private clubs where merchants played faro and stud, in the juke joints that stayed open from can till can’t. According to those who knew him, Sam did not care for crowds and parties. He had a restless mind and a persistent need to get outdoors. He liked to be alone. You might see him wandering beneath the lamps of town, a tough, lean young man in an overcoat, hands buried deep in his pockets.
He stacked shelves and checked inventory in his uncle’s store. Now and then, he dealt with the salesmen who turned up with sample cases. He stood in the alley, amid the garbage cans and cats, asking about suppliers and costs. There was money to be made, but not here. He interrogated customers. He was looking for different work and would try anything, if only for experience. His early life was a series of adventures, with odd job leading to odd job. Much of the color that would later entertain magazine writers—Sam’s life had the dimensions of a fairy tale—were accumulated in his first few years in Selma.
He worked as a tin merchant. Well, that’s how it would be described in the press. “Young Sam Z. bartered iron for livestock, chickens and pigs.” According to newspaper and magazine accounts, he was in fact employed by a struggling old-timer who was less tin merchant than peddler, the last of a vanishing breed, the country cheapjack in a tattered coat, sharing a piece of chocolate with the boy. Now and then, he might offer some wisdom. Banks fail, women leave, but land lasts forever. He combed trash piles on the edge of Selma, searching for discarded scraps of sheet metal, the cast-off junk of the industrial age, which he piled on his cart and pushed from farm to farm, looking for trades—wire for a chicken coop in return for one of the razorbacks in the pen. After the particulars were agreed on, Sam was told to get moving, Catch and tie that animal, boy. It was Zem...

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4 of 4 people found the following review helpful.
Helpful, but flawed
By J. A. Donaghy
Living in Honduras (but in the south), this book is helpful in understanding one of the legends of the banana empire. He built an empire - and rebuilt another - and financed military efforts that very often served his interests.

Mostly, though, I'm left with a sadness - such talent, but used all too often to take away from people what was theirs, to look at the world in terms of profit. What were the effects of the bananification of the north coast of Honduras, the overthrow of a Guatemalan president, and more?

There were a number of errors in the book, which other reviewers have noted. But I especially found the author geographically challenged: He states that Guatemala is Honduras' northern border; WRONG, the northern border is the Caribbean; Guatemala is to the west, though in places to the northwest. El Salvador is not to the west of Honduras; El Salvador is, for the most part, to the south of Honduras, though there is a small part of Honduras that has El Salvador to its west; Nicaragua is not to the south of Honduras; it's to the east.

My other complaint is the way that he inserts himself into the narrative. I found that disconcerting. I suppose it was often to show that he was consulting primary sources or interviewing important persons.

Read it - but with a critical mind.

6 of 6 people found the following review helpful.
Too wild to be believed, but it's all true
By Mal Warwick
Chances are, you've never heard of this guy. But if you're not aware of some of the things he's done, you'll never be a big winner on "Jeopardy" or pass an AP test in modern world history. Just for example, he was the guy who engineered the CIA-led coup that overthrew the government of Guatemala in 1954, ushering in an era of intensified hatred for the United States throughout Latin America. He was also pivotal in the early history of Israel -- as Chaim Weizmann's favorite donor in America, as the man who pulled strings to force the release of the ship Exodus from the Port of Philadelphia and send it on its way to Israel, as the source of ocean-going ships that carried tens of thousands of Jewish refugees from displaced-person camps in Europe to Palestine, and as the central figure in persuading President Truman to support the independence of Israel. Oh, and he also helped make the banana America's favorite fruit.

His name was Samuel Zemurray. He arrived in the United States in 1891 as a 14-year-old, a penniless Russian Jewish immigrant fresh off his father's wheat farm in present-day Moldova. Within two decades, he was a multimillionaire, only a little past the age of 30. Having stumbled across his first banana before the turn of the century, Sam was a major factor in the banana trade by 1910, a thorn in the side of the United Fruit Company, which commanded 60 percent of the market. Unlike most of his competitors, Sam had taken up residence in Honduras, where he worked the fields alongside his men and went out drinking with them in the evenings, a beloved figure throughout banana country on the Central American isthmus despite his later reputation as the personification of American imperialism and exploitation. Two decades later, exasperated with U.F.'s incompetent, Boston-bound leadership, he engineered a takeover of the company at a time when it was on the ropes. He led U.F. (known as "The Octopus" or "El Pulpo") back to consistent profits for 25 years, only to founder on the heels of his greatest triumph: the overthrow of Jacobo Arbenz as President of Guatemala, which ironically brought to a close the era of the United Fruit Company as a landowner in Central America.

Nonfiction author Rich Cohen writes the extraordinary story of Sam Zemurray with a sure hand, delving into the recesses of the Banana King's soul as deeply as could anyone who never met the man. His intimate, first-person style is engaging, often ironic. The Fish That Ate the Whale is a joy to read.

In the end, Cohen offers this judgment of Sam Zemurray: "If he had questioned the workings of [the] machine [he had set in motion and tended so long], he would have been a great man, but he was not a great man; he was a complicated man blessed with great energy and ideas."

Zemurray died in his palatial New Orleans home in 1961 at the age of 84. Today, many of his descendants remain involved in Central America, as anthropologists, art experts, and in other academic pursuits. Perhaps they did come to understand the workings of Sam's machine even though he never did.

0 of 0 people found the following review helpful.
AN IMMIGRANT THAT MADE A DIFFERENCE
By Robert Ongley
To be fair, this is not my kind of book. I'm more of a fiction guy and if I read non-fiction, I prefer spiritual self-help fare. So, I wasn't fascinated by a biography of America's Banana King. It's a rags to riches story, which does appeal to my root-for-the-underdog inclination. Still, Samuel Zemurray created a pretty big corporation and eventually managed to take control of a mammoth one. That's not a spoiler. It's all right there in the title.

This is definitely an interesting book about an interesting man. His drive, his ingenuity and his guts took him to amazing heights. His accomplishments on the world stage are difficult to imagine when you take into consideration his humble beginnings and relative lack of fame even today. Insights that came through extensive research provide an inside look at how big business and big government do their dirty work under the guise of progress or national security. Well-written and very readable, The Fish That Ate the Whale is a piece of American history worth your time.

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Minggu, 18 Agustus 2013

[C316.Ebook] Download PDF Audio Anecdotes: Tools, Tips, and Techniques for Digital Audio (v. 1)From Brand: A K Peters/CRC Press

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Audio Anecdotes: Tools, Tips, and Techniques for Digital Audio (v. 1)From Brand: A K Peters/CRC Press

Audio Anecdotes is a book about digital sound. It discusses analyzing, processing, creating, and recording many forms of sound and music, emphasizing the opportunities presented by digital media made possible by the arrival of inexpensive and nearly ubiquitous digital computing equipment. Applications of digital audio techniques are indispensable in: - The recording industry - The film industry - Interactive gaming - Computer Human Interaction.

The contributors to this volume include researchers, recording engineers, and sound designers, as well as creative artists, and the articles reflect this broad spectrum of experience in dealing with: - The fundamentals: the physics, measurement and perception of sound - Signal processing: the mathematical manipulation of sound - Recording and playback of sound: including music, voice, and field recording - Synthesis: rendering sounds which never existed including the synthesis of musical instruments, voice, or noise (Foley Sound) - Signal processing applications: from compression techniques to signal detection and recognition - Computer techniques: efficiently implementing low latency high performance audio systems on digital computers - Music theory: the mathematics of both western and non-western music - Creative topics: composition and sound design - Nature, mind, and body: how sound exists in nature and affects the mind and body This book will be an invaluable tool for anybody who uses digital sound in the creation of computer generated works, musicians, game developers, sound producers in movies and other media, and more.

  • Sales Rank: #3036865 in Books
  • Brand: Brand: A K Peters/CRC Press
  • Published on: 2004-03-11
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 6.00" w x 1.50" l, .0 pounds
  • Binding: Hardcover
  • 512 pages
Features
  • Used Book in Good Condition

Review

This book�is like a Swiss army knife of information about digital audio.
������ -- Robert Rowe, Journal of Audio Engineering , February 2005


The editors' goal for this book was to provide an accessible introduction to research in digital audio and its associated software. .
������ -- Computing Reviews , June 2005


The wonderful thing about this book is that it contains well-written introductions to many subjects, including sound propagation, auditory scene analysis, audio file formats, and rate conversion, that otherwise might be found in magazines, on the Internet, or not at all.
������ -- Robert Rowe, Audio Engineering Society , March 2005


A highly recommended supplementary educational text for anyone pursuing or involved in a career in the digital audio field.
������ -- Library Bookwatch, July 2004


The appeal of this book is its practical usefulness, the variety of approaches taken within some chapters, its accessibility, and the breadth of experience brought to bear, particularly from a technical perspective. In these terms, it is likely to be a handy reference book on many shelves in educational, artistic, and engineering settings, and it certainly fills a gap in some of the current tutorial offerings.
������ -- Ian Whalley, Computer Music Journal , April 2009

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0 of 0 people found the following review helpful.
Five Stars
By n praveen kumar
Thankyou for educating us.

0 of 0 people found the following review helpful.
Lots of good information
By The mindpainter
I plan to get other books in this series, they are very worthwhile information sources, I would recommend them to anyone doing recording with their own computers.

4 of 4 people found the following review helpful.
Sound junkie's delight
By Dennis Littrell
Ken Greenebaum, who co-edited this book with Ronen Barzel, and wrote some of the articles, indicates in the preface that his motivation for putting Audio Anecdote together was to get the book he had wished for when he was starting out in digital audio. What he came up with is a wide-ranging collection of 25 articles on various aspects of sound--what it is, how we hear it, how it affects us, how it can be produced and altered, and how it can fool us. Some of the articles are rigorously scientific and technical, while others really are anecdotal and personal. Most significantly there is a wealth of information about the manipulation of sound, and there is some history of the development of our understanding of sound.

Most of the material is aimed at people who have an intense interest in audio, and audio reproduction and development, and who already have some knowledge. However this book also works well for a rank beginner (such as myself). The articles are clear and well-presented with many black and white illustrations, tables, diagrams, and mathematical formulas, not to mention programming code! There is a glossary and there is some overlap in the "anecdotes." For example, after a brief overview of the book, Greenebaum begins with an introductory-like article on what sound is and how we measure it. This is followed by a more technical article by Hesham Fouad entitled "Understanding the Decibel." This in turn is followed by Greenebaum's essay on "Sound Propagation." His exploration of the physics involved is clear and easy to read.

One of the many things that I discovered is that "When we speak on the telephone, a portion of our voice output is intentionally played back to us through the earpiece." Derek DiFilippo and Greenebaum explain in their article, "Perceivable Auditory Latencies" that "If we didn't have a clear sense of hearing ourselves speak, we would tend to talk louder and louder because we [would] assume that the listener on the other end...[wouldn't be able to] hear us either." (pp. 74-75)

I also learned (from Oscar-winning sound director Randy Thom in his article, "Designing a Movie for Sound") that the wise film maker should make his movie with sound in mind pre-production, not as something added on afterward. As Thom points out, in the great cinematic experiences, "the visual and aural elements are working together so well that it is nearly impossible to distinguish them." (p. 406) He mentions the opening of Francis Ford Coppola's Apocalypse Now (1979) and the bird attack scene in Hitchcock's The Birds (1963), and the opening of David Fincher's Seven (1995) as examples. And I can't help adding the striking opening sequence from Clint Eastwood's High Plains Drifter (1973) as another preeminent example of how sound can be as important, or even more important, than visuals in making a scene a lasting experience.

Included with the book is a CD that you can listen to with examples of sounds keyed to the discussions in the articles. The effect of latency ("the time between human input to a system...and system output," p. 65) and many other sound phenomena are demonstrated in the most effective way possible--by hearing them.

Special mention might be made of writer Adrienne Ross's personal contribution, "Understanding Hearing Losses and Hearing Gains...," which truly is an anecdote, beautifully written about her discovery of a hearing defect that she had lived with most of her life without realizing it. The fact that she had compensated for the defect by using her other senses, dramatically demonstrates how our experience of sound is not isolated from our other sensual experiences.

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Selasa, 13 Agustus 2013

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  • Sales Rank: #7228528 in Books
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Great Inventors and Their Inventions: Archimedes, Gutenberg, Franklin, Nobel, Bell, Marconi, The Wright Brothers, Edison (Junior Classics) PDF
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Selasa, 06 Agustus 2013

[P519.Ebook] Get Free Ebook 3D Viewmaster Image Photographic, Little Black Sambo Slides ( View-Master Stereoscope in Box ) 7 three-dimensional pictures in full color S

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  • Sales Rank: #11644621 in Books
  • Published on: 1948
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Sabtu, 03 Agustus 2013

[E111.Ebook] PDF Ebook Introducing Chaos: A Graphic Guide, by Ziauddin Sardar

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Introducing Chaos: A Graphic Guide, by Ziauddin Sardar

"Introducing Chaos" explains how chaos makes its presence felt in many varieties of event, from the fluctuation of animal populations to the ups and downs of the stock market. It also examines the roots of chaos in modern mathematics and physics, and explores the relationship between chaos and complexity, the new unifying theory which suggests that all complex systems evolve from a few simple rules.This is an accessible introduction to an astonishing and controversial theory that could dramatically change our view of the natural world and our place in a turbulent universe.

  • Sales Rank: #811265 in Books
  • Published on: 2004-12-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.74" h x .52" w x 4.83" l, .53 pounds
  • Binding: Paperback
  • 176 pages

Review
"'A beautifully succinct primer... highly recommended' Time Out"

About the Author
Ziauddin Sardar is a hugely renowned writer, broadcaster, journalist and critic. 'Britain's own Muslim polymath' (Independent) has become one of the UK's leading intellectuals and writes on a huge variety of subjects in numerous newspapers and magazines throughout the world. He is also Visiting Professor of Postcolonial Studies at the City University, London.

Most helpful customer reviews

27 of 35 people found the following review helpful.
Confused and Mistaken
By James M. Cargal
The main problem with the book is its emphasis on multiculteralism, not to mention that the author simply does not know his stuff. We are told that Galileo ignored friction in order to get "neat results" and somehow caused Western science to only study linear systems. He seems to think that nonlinearity and chaos are the same thing. He tells us that nonlinear problems are not solvable. He actually suggests that we have only recently seen that the three-body problem is chaotic. (Instead Poincare proved the chaotic nature of the problem around 1890.) He seems to think that Asian philosophies actually capture the mathematical substance of chaos theory. I could go on. If you want to study chaos get the volume "Chaos and Fractals: New Frontiers of Science" by Peitgen, Jurgens, and Saupe.

9 of 9 people found the following review helpful.
OK, but something missing...
By Reducto
I'm a fan of the Introducing series. I don't want to be too critical of this book, but I was a bit disappointed. I did learn a little more than I knew before I read it, but as many of the reviews say, the organization is a bit "chaotic" to the point where you feel you're never given a true overview of the subject. An introduction to any topic should at least try to leave you with some framework of organization for the topic as a whole.

You can probably learn as much about Chaos theory by reading the Wikipedia article. If I'm going to buy a book, I want something more. Perhaps a deeper exploration into one practical application of Chaos theory that shows it as a real science with a purpose. One is almost left with the impression that Chaos theory is more a post-modern criticism of western science rather than a true alternative explanation of phenomenon.

5 of 8 people found the following review helpful.
Introduction is what it is!
By Gaius Tullius
This is an excellent introduction to Chaos. It is aimed at the general non academic reader who may have heard about this buzzword called "Chaos" and wondered what's it all about. It is not for the academic, informed reader but a quick introduction for the intelligent layman or someone who last formally studied science many years ago. It draws heavily on James Gleick's book "Chaos" which was the first book to popularise the subject. If you are busy and want to know something about chaos to see if you then want to find out more, this book is perfect.

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